Bibliography
Iranian Publications
Review: “What if Not Exotic: Critical Perspectives In Contemporary Iranian Art” Mahsa Farhadikia ed., Woman’s Art Journal, v.41 No. 1 (Spring/Summer 2020), 63-64.
“How a Former Museum of Modern Art Curator Assembled an International History of Photography Collection for Iran in the 1970s,” in The Indigenous Lens? Early Photography in the Near and Middle East, Markus Ritter and Staci G. Scheiwiller eds, Studies in Theory and History of Photography, Vol. 8 (Berlin, De Gruyter, 2018) 328-346.
"Review: Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography: Desirous Bodies" By Staci Gem Scheiwiller, Woman’s Art Journal, v.38 no. 2 (Fall/Winter 2017), 45-46.
“The Photographic Source for a Qajar Painting,” and “For the Love of Her People: An Interview with Farah Diba and the Pahlavi Programs for the Arts in Iran” in Performing the Iranian State: Visual Culture and Representations of Iranian Identity, Staci Gem Scheiwiller ed., (London: Anthem Press, 2013), 23-32,75-82, 227-230, 232.
“Monir Shahroudy Farmanfarmaian. Empowered by American Art: An Artist’s Journey,” Woman’s Art Journal, v.33, no. 1 (Fall/Winter 2012), 3-9. (Cover image)
“A Reflection,” in Hans Ulrich Obrist and Karen Marta ed., Monir Shahroudy Farmanfarmaian Cosmic Geometry, The Third Line, Damiani, 2011, 137.
“Beyond Geometry 2004-2005,” "Sculptural Models: Hexagonal Variations and Minarets, 1976-2003,” and “Minaret 2004-2005,” in Rose Issa, Mosaics of Mirrors: Monir Shahroudy Farmanfarmaian. Tehran, Nazar Research and Cultural Institute, 2006, 43, 67, 78.
“Exposition at Iran-America Society 1976” in Ghassem Hajizadeh. Green Memories: A Collection of Hajizadeh Paintings: “Mirza Koochek of the Forest”, Tehran, Manijeh Mirdemadi (Nasseri), 1992.
"Three Photographic Traditions in Nineteenth-Century Iran," Muqarnas: an Annual on Islamic Art and Architecture VI, Leiden, The Netherlands, E.J. Brill, 1990, 112-130.
Earthworks by Marco Grigorian. New York, Gorky Gallery, 1989.
"Recent Research on the History of Photography in Iran," History of Photography X,1 (January-March, 1986) 82.
"Early Photography in Iran," History of Photography VII, 4 (October-December, 1983), 257-291; Reprinted in Farsi by the Abadan Photographic Society, 1991.
Graphic Art: The Movement Toward Modernism. Tehran, Museum of Contemporary Art, October 1977. (English/Farsi text)
Creative Photography: An Historical Survey. Tehran, Museum of Contemporary Art, October 1977. (English/Farsi text)
Monir Farmanfarmaian. Paris, Galerie Denise René, March 25-April 24, 1977. (French text)
Marco Grigorian, Tehran Negarkhaneh Saman, January, 1977.
Ghassem Hajizadeh, Tehran, Iran America Society, October 6 – 25, 1976.
Selected Graphics from the Private Collection of Farah Pahlavi, Her Imperial Majesty, the Shahbanou of Iran. Tehran, Negarestan Museum of Eighteenth and Nineteenth Century Iranian Art, July 1976. (English/Farsi text)
Review: “What if Not Exotic: Critical Perspectives In Contemporary Iranian Art” Mahsa Farhadikia ed., Woman’s Art Journal, v.41 No. 1 (Spring/Summer 2020), 63-64.
“How a Former Museum of Modern Art Curator Assembled an International History of Photography Collection for Iran in the 1970s,” in The Indigenous Lens? Early Photography in the Near and Middle East, Markus Ritter and Staci G. Scheiwiller eds, Studies in Theory and History of Photography, Vol. 8 (Berlin, De Gruyter, 2018) 328-346.
"Review: Liminalities of Gender and Sexuality in Nineteenth-Century Iranian Photography: Desirous Bodies" By Staci Gem Scheiwiller, Woman’s Art Journal, v.38 no. 2 (Fall/Winter 2017), 45-46.
“The Photographic Source for a Qajar Painting,” and “For the Love of Her People: An Interview with Farah Diba and the Pahlavi Programs for the Arts in Iran” in Performing the Iranian State: Visual Culture and Representations of Iranian Identity, Staci Gem Scheiwiller ed., (London: Anthem Press, 2013), 23-32,75-82, 227-230, 232.
“Monir Shahroudy Farmanfarmaian. Empowered by American Art: An Artist’s Journey,” Woman’s Art Journal, v.33, no. 1 (Fall/Winter 2012), 3-9. (Cover image)
“A Reflection,” in Hans Ulrich Obrist and Karen Marta ed., Monir Shahroudy Farmanfarmaian Cosmic Geometry, The Third Line, Damiani, 2011, 137.
“Beyond Geometry 2004-2005,” "Sculptural Models: Hexagonal Variations and Minarets, 1976-2003,” and “Minaret 2004-2005,” in Rose Issa, Mosaics of Mirrors: Monir Shahroudy Farmanfarmaian. Tehran, Nazar Research and Cultural Institute, 2006, 43, 67, 78.
“Exposition at Iran-America Society 1976” in Ghassem Hajizadeh. Green Memories: A Collection of Hajizadeh Paintings: “Mirza Koochek of the Forest”, Tehran, Manijeh Mirdemadi (Nasseri), 1992.
"Three Photographic Traditions in Nineteenth-Century Iran," Muqarnas: an Annual on Islamic Art and Architecture VI, Leiden, The Netherlands, E.J. Brill, 1990, 112-130.
Earthworks by Marco Grigorian. New York, Gorky Gallery, 1989.
"Recent Research on the History of Photography in Iran," History of Photography X,1 (January-March, 1986) 82.
"Early Photography in Iran," History of Photography VII, 4 (October-December, 1983), 257-291; Reprinted in Farsi by the Abadan Photographic Society, 1991.
Graphic Art: The Movement Toward Modernism. Tehran, Museum of Contemporary Art, October 1977. (English/Farsi text)
Creative Photography: An Historical Survey. Tehran, Museum of Contemporary Art, October 1977. (English/Farsi text)
Monir Farmanfarmaian. Paris, Galerie Denise René, March 25-April 24, 1977. (French text)
Marco Grigorian, Tehran Negarkhaneh Saman, January, 1977.
Ghassem Hajizadeh, Tehran, Iran America Society, October 6 – 25, 1976.
Selected Graphics from the Private Collection of Farah Pahlavi, Her Imperial Majesty, the Shahbanou of Iran. Tehran, Negarestan Museum of Eighteenth and Nineteenth Century Iranian Art, July 1976. (English/Farsi text)